My latest personal project was to make Unwritten Rules available in paperback. To do that, I had to learn how to format the interior for CreateSpace. I also had to to design a cover with a front, back, and spine. CreateSpace has an easy-to-use template, but I needed to learn how to rotate and move text for the spine as well as create a back cover image that would allow adequate legibility for the book description. Online tutorials answered the text question, but the back cover design required some artistic experimentation. I settled on using a different section of the image I used for the front and reducing the opacity. However, that meant I also needed an opaque fill layer underneath the image to cover the markings on the template. The final result was exactly what I hoped for and I learned several new techniques, so I consider the project a resounding success!
Fresh off the success of my own print cover, I felt confident enough to undertake a print cover for another author. If you've been following this blog, you've seen the three ebook covers I designed for the Secrets of Ravenswood series of novellas by my friend Jannine Gallant, We'll Never Tell, She'll Never Rest, and He'll Never Know. Recently Jannine decided to offer the novellas in a single print book and needed a new cover.
She was looking for something that captured the suspense feel of all three books and featured an image of three women, representing her heroines. We weren't able to find a good image with three women, but we did find this wonderful image with a single figure. My challenge was to turn one woman into three. What do you think?
For the back, she had the idea of using the same scene but with no figures, as if the women had vanished into the mist. I reduced the opacity and was able to erase the figure. The result is perfect for her book.
We were able to take one beautiful image and manipulate it to create the perfect front and back--a cost-effective solution for the author and a wonderful learning experience for me. I consider that a win/win all around!
New life after 50: a journey of discovery and reinvention exploring the joys of the written word
Showing posts with label portfolio project. Show all posts
Showing posts with label portfolio project. Show all posts
Tuesday, October 1, 2013
Monday, September 2, 2013
My Biggest Project Yet
In January, I began the journey to a new portfolio career comprised of writing, book cover design, and editing. My first several projects were cover designs I've shared previously on this blog. I really enjoyed the challenge of learning a new set of skills and applying it to a new creative medium. I'm pleased with the results and look forward to enhancing and refining my graphic design skills in the future. My current project, however, has been a much larger undertaking.
I'm thrilled to announce the release of my fourth book Unwritten Rules. After publishing three books with a wonderful small press, I decided to take the plunge into the world of independent publishing with this new one. For a number of reasons the time seemed right. I was switching sub-genres from Western historical romance to contemporary romantic suspense and would no longer be able to work with my previous editor. Also, after designing several book covers for a friend, I wanted the opportunity to design my own. In my new business, I will be helping other independent authors realize their dreams, so I wanted to be familiar with the entire process.
It's been an exciting journey with a few bumps along the way (formatting is not my friend), but I'm satisfied and proud of the final product. And after all is said and done, that's the greatest reward.
Here's a blurb about the story:
Carter Devlin has agreed to accept the beautiful and determined Ms. Li as a bodyguard primarily to appease his publisher. After all, who would want to kill a beat-up, retired ex-spy on a book tour? But when the attacks turn deadly, he soon learns there’s more to Madelyn than a pretty face and tempting body. Will the spark become a flame before a killer snuffs it out?
What have you been up to lately? What projects are you most proud of?
I'm thrilled to announce the release of my fourth book Unwritten Rules. After publishing three books with a wonderful small press, I decided to take the plunge into the world of independent publishing with this new one. For a number of reasons the time seemed right. I was switching sub-genres from Western historical romance to contemporary romantic suspense and would no longer be able to work with my previous editor. Also, after designing several book covers for a friend, I wanted the opportunity to design my own. In my new business, I will be helping other independent authors realize their dreams, so I wanted to be familiar with the entire process.
It's been an exciting journey with a few bumps along the way (formatting is not my friend), but I'm satisfied and proud of the final product. And after all is said and done, that's the greatest reward.
Here's a blurb about the story:
Things aren’t going Madelyn Li’s way. Her bodyguard
agency is teetering on the brink of bankruptcy, her grandmother keeps hatching
plots to marry her off, and someone is trying to kill her latest client. All
she wants is to safely escort thriller writer and former CIA agent Carter
Devlin on his cross country book tour and collect her check, but two obstacles
stand in her way: a shadowy assailant and her own growing attraction to her dashing
client.
Carter Devlin has agreed to accept the beautiful and determined Ms. Li as a bodyguard primarily to appease his publisher. After all, who would want to kill a beat-up, retired ex-spy on a book tour? But when the attacks turn deadly, he soon learns there’s more to Madelyn than a pretty face and tempting body. Will the spark become a flame before a killer snuffs it out?
What have you been up to lately? What projects are you most proud of?
Friday, May 3, 2013
The Series is Complete - My Third Portfolio Project
My friend Jannine Gallant has just released He'll Never Know, the final novella in her Secrets of Ravenswood trilogy (for which I designed the covers), and I want to take this opportunity to share it with you.
The stories are set in a small town in the Sierra Nevada Mountains and center around three young women who have been friends since childhood. The first is a romantic suspense, the second a bit of a ghost story, and the third more of a straight contemporary romance. I've read We'll Never Tell (and loved it!) and am half-way through She'll Never Rest. I need to hurry up and finish so I can move on to He'll Never Know.
When I designed the covers, I had only Jannine's notes to work from since the stories were still in editing. I was very satisfied with the final results, but now that I've had the opportunity to see the Sierras firsthand and get to know the characters through the books, I'm even more delighted by how well the covers depict the stories. Check them out; you won't be disappointed.
Congratulations, Jannine!
Tuesday, March 19, 2013
Designing Book Covers for a Series - My Second Portfolio Project
I've now completed all three covers for my friend, Jannine Gallant's, independently published novella series, Secrets of Ravenswood. The second book in the series, She'll Never Rest, is scheduled to come out the first of April, so I thought I'd give you a sneak peak and talk about some of the things I learned working on this, my second, book cover design.
Here's the cover for She'll Never Rest.
For comparison, here's the cover for We'll Never Tell, the first book in the series.
Because this series is set in the Sierra Nevada Mountains, we knew we wanted a forest background for each cover. However, She'll Never Rest also features an old graveyard, takes place around Halloween, and has a ghost-story twist, so we were able to incorporate that into the background. The cover also features a couple in approximately the same proportion as the first and uses the same font and color scheme for the text.
That part should have been the easiest but actually turned out to be quite tricky. Because I've been bouncing between houses in California and Minnesota for the past three months, I did the covers on two separate computers. Those of you who have used Photoshop will understand that means I saved the images with the layers in two separate places with no access to each other. That made matching the fonts and colors much more difficult than it should have been.
Lesson #1: If you're working on a series, WRITE ALL THE SPECIFICATIONS DOWN.
I also had trouble with the first couple we chose because I failed to consider every aspect of the image.
Lesson #2: Many model shots are artistically cut off at the top or sides. This looks great but does not allow the cover artist enough freedom to place the image where it needs to go. If the models' heads or arms are cut off, those sides need to go up against an edge, and that does not always work, especially in a series where continuity is key. WHEN USING IMAGES WITH PEOPLE, CHOOSE COMPLETE BODY SHOTS WHENEVER POSSIBLE. This allows the cover designer to crop them appropriately.
Fortunately, I also learned some new techniques, like how to draw on the image in color and use the blur function. Both came in very handy when touching up the edges of the model's hair. Hair is notoriously difficult to select, cut, and paste onto another image.
In another month or so, I'll share the cover for the final book in the series, He'll Never Know, and you can take a look at all three together. Working on these covers has been a great experience, and Jannine has been a fantastic first client!
Here's the cover for She'll Never Rest.
For comparison, here's the cover for We'll Never Tell, the first book in the series.
Because this series is set in the Sierra Nevada Mountains, we knew we wanted a forest background for each cover. However, She'll Never Rest also features an old graveyard, takes place around Halloween, and has a ghost-story twist, so we were able to incorporate that into the background. The cover also features a couple in approximately the same proportion as the first and uses the same font and color scheme for the text.
That part should have been the easiest but actually turned out to be quite tricky. Because I've been bouncing between houses in California and Minnesota for the past three months, I did the covers on two separate computers. Those of you who have used Photoshop will understand that means I saved the images with the layers in two separate places with no access to each other. That made matching the fonts and colors much more difficult than it should have been.
Lesson #1: If you're working on a series, WRITE ALL THE SPECIFICATIONS DOWN.
I also had trouble with the first couple we chose because I failed to consider every aspect of the image.
Lesson #2: Many model shots are artistically cut off at the top or sides. This looks great but does not allow the cover artist enough freedom to place the image where it needs to go. If the models' heads or arms are cut off, those sides need to go up against an edge, and that does not always work, especially in a series where continuity is key. WHEN USING IMAGES WITH PEOPLE, CHOOSE COMPLETE BODY SHOTS WHENEVER POSSIBLE. This allows the cover designer to crop them appropriately.
Fortunately, I also learned some new techniques, like how to draw on the image in color and use the blur function. Both came in very handy when touching up the edges of the model's hair. Hair is notoriously difficult to select, cut, and paste onto another image.
In another month or so, I'll share the cover for the final book in the series, He'll Never Know, and you can take a look at all three together. Working on these covers has been a great experience, and Jannine has been a fantastic first client!
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